My main takeaway is that these works form a 'conceptual family' through their shared mission to use industrial design as a medium for critical and poetic storytelling, rather than just form-making.
I'd be very interested to hear from colleagues: do you see this as the peak of a specific, playful moment in design, or do you think their conceptual approach is even more relevant today?
I'd be very interested to hear from colleagues: do you see this as the peak of a specific, playful moment in design, or do you think their conceptual approach is even more relevant today?